JOSEPH KAISER

Starring as Tamino in the Kenneth Branagh film adaptation of The Magic Flute, conducted by James Conlon and released in 2007, Joseph Kaiser is recognized by audiences for his beauty of tone, intelligence of programming, and innate sense of style and elegance.  He is internationally acclaimed as one of the most gifted artists of his generation and enjoys success in opera, oratorio, and concert throughout North America and Europe.

The 2014-15 season includes a debut at Opernhaus Zürich as Michel in a new production of Martinů’s Juliette directed by Artistic Director Andreas Homoki and led by General Music Director Fabio Luisi.  He returns to the Bayerische Staatsoper as Matteo in a new production of Arabella opposite Anja Harteros conducted by Philippe Jordan, and joins Opéra de Montréal as Nikolaus Sprink in Silent Night conducted by Michael Christie.   On the concert stage, he performs Mendelssohn’s Die erste Walpurgisnacht with the Orchestra of St. Luke’s led by Principal Conductor Pablo Heras-Casado ­­­­at Carnegie Hall, Mozart’s Requiem with the Dallas Symphony Orchestra conducted by Music Director Jaap Van Zweden, and offers a joint recital at New York City’s Pace University with soprano Julia Bullock and pianist Steven Blier.

Last season Mr. Kaiser’s schedule encompassed performances of A Midsummer Night’s Dream at the Metropolitan Opera conducted by James Conlon, a return to Houston Grand Opera for The Passenger under the baton of Music Director Patrick Summers, Salome at the Bayerische Staatsoper led by Asher Fisch, and The Magic Flute at Washington National Opera with Music Director Philippe Auguin.  On the concert stage the tenor performed Mozart’s Requiem with Ivor Bolton and the Wiener Symphoniker and Davidde Penitente with Music Director Louis Langrée and the Cincinnati Symphony, Berlioz’s Te Deum with Charles Dutoit and the NHK Symphony Orchestra, Beethoven’s Ninth Symphony with Conductor Emeritus Bernard Haitink and the Boston Symphony Orchestra, Schubert’s Fierrabras at the Bard Music Festival, Narraboth in Salome with the Ravina Festival conducted by James Conlon, Britten’s War Requiem and Cantata Misericordium with James Conlon and the symphonies of UCLA, USC and The Colburn School, and Beethoven’s Fidelio – singing the role of Florestan for the first time – with Jérémie Rhorer conducting Le Cercle de l'Harmonie on a European tour.

Past seasons’ highlights include performances at the Opéra National de Paris as Lensky in Eugene Onegin in a Willy Decker production conducted by Vasily Petrenko, as Flamand in Strauss’s Capriccio in a production by Robert Carsen and conducted by Music Director Philippe Jordan, and as Matteo in Strauss’s Arabella opposite Renée Fleming, a return to the Royal Opera House, Covent Garden singing the role of Tamino in Die Zauberflöte directed by Sir David McVicar and conducted by Sir Colin Davis, Christof Loy’s production of Gluck’s Alceste at the Vienna State Opera in the role of Admète, appearances at the Bayerische Staatsoper as Steva Burja in Jenůfa in the acclaimed Barbara Frey production conducted by Tomáš Hanus, and at Deutsche Oper Berlin with General Music Director Donald Runnicles, and at the Munich Festival as Don Ottavio in Don Giovanni conducted by Constantinos Carydis.  Highlights of his North American operatic schedule include Metropolitan Opera performances as Flamand in Capriccio – opposite Renée Fleming - in a production by John Cox under the baton of Sir Andrew Davis, as well as Stephen Wadsworth’s Rodelinda as Grimoaldo with Harry Bicket conducting, and Pylades in Gluck’s Iphigénie en Tauride at the Canadian Opera Company in a production by Robert Carsen conducted by Pablo Heras-Casado.

Concert highlights include performances of Britten’s Serenade for Tenor, Horn, and Strings with André Previn and the Gewandhausorchester, Janáček’s The Diary of One Who Vanished under the auspices of Chicago Opera Theater, Bruckner’s Te Deum with Daniel Barenboim and the Orchestra and Chorus of Teatro alla Scala, Bruckner’s Mass No. 3 in f minor conducted by Artistic Director Marek Janowski with the Rundfunk-Sinfonieorchester Berlin, Beethoven’s Ninth Symphony with the Berlin Philharmonic under the direction of Music Director Sir Simon Rattle, the Toronto Symphony conducted by Matthew Halls, and with the St. Louis Symphony Orchestra conducted by Music Director David Robertson, and Mozart’s Requiem with the Mostly Mozart Festival under the baton of Music Director Louis Langrée, as well as with the Orchestra of St. Luke’s conducted by Iván Fischer at Carnegie Hall.

Additional credits of the artist’s dynamic opera diary include the title role of Messager’s Fortunio in a new production by Denis Podalydès at the Opéra Comique under the baton of Louis Langrée, Admète in Gluck’s Alceste at the Festival d’Aix-en-Provence in a new production by Christoph Loy conducted by Ivor Bolton, and new productions at the Salzburg Festival of Händel’s Theodora directed by Christoph Loy and conducted by Ivor Bolton as well as of Eugene Onegin directed by Andrea Breth and conducted by Daniel Barenboim (both Salzburg productions are commercially available on DVD). 

Mr. Kaiser has bowed at the Metropolitan Opera in a diverse array of leading parts including the title role of Roméo et Juliette – opposite Anna Netrebko - under the baton of Plácido Domingo, Tamino in Die Zauberflöte conducted by Kirill Petrenko, and as Narraboth in Salome – opposite Karita Mattila – conducted by Patrick Summers and seen internationally on The Met: Live in HD experience.

Further highlights include a Los Angeles Opera debut as Tamino in Die Zauberflöte under the baton of Music Director James Conlon, a Covent Garden debut as Narraboth in a new David McVicar production of Salome under Philippe Jordan’s baton (commercially available on DVD), and the North American premiere of Kaija Saariaho’s Adriana Mater at the Santa Fe Opera in a production by Peter Sellars.

His concert schedule has included performances of the Berlioz Requiem under Marek Janowski with the combined forces of the Tonhalle-Orchester Zürich and the Orchestre de la Suisse Romande as well as with Donald Runnicles both with the Atlanta Symphony Orchestra and the Berliner Philharmoniker, Stravinsky’s Pulcinella with Roberto Abbado and the Saint Paul Chamber Orchestra, Mendelssohn’s Elijah with Music Director Yannick Nézet-Séguin and the Orchestre Métropolitain du Grand Montréal, and Schumann’s Das Paradies und die Peri with Sir Simon Rattle and the Philadelphia Orchestra.

Mr. Kaiser has appeared at the Caramoor Festival, in a joint program with Lorraine Hunt Lieberson, which was presented under the auspices of the New York Festival of Song (commercially available on the Bridge Records label), in Chicago at the Chicago Humanities Festival, in Montreal with the André Turp Society, in New York at Carnegie Hall, and on the Debut Series of the National Arts Centre in Ottawa. 

 

OCTOBER 2014: PLEASE DESTROY PRVIOUSLY DATED MATERIALS